Boy, I just do not like the name of this group. Even after getting multiple emails today about the band Goblin Cock…that seems more palatable than this. Yet, I can’t stop listening to their little digital release released today.
Dropped into the world through local imprint Feel Bad Beats, this droning, scrabbling little gem seems to have been created using guitars and a whole mess of loop and effects pedals. Which isn’t the most original of set ups but they make it work for them with deceptive ease, letting each track on here breathe and unfurl and gently slip into your brainpan before you know what just wrapped around your amygdala.
Something that has always fascinated me is how folks try to soundtrack fireworks displays, meshing up the big triumphal moments of pop and rock songs with the fizzle and electric blasts of sparks going off in the sky. Seems a fool’s errand to this guy, but if I was going to take on such a project, I think I’d prefer something that is equally unhinged and hard to pin down. Something like this new release from Chefkirk.
That might be the coincidence of the fact that he released this new work on July 4th talking, but I could definitely hear these digital squelches, toe-tingling rumbles, and sand blasts of static going along very well with the kind of blowsy fireworks display that gets trucked out every goddamn year sending our small animals scurrying for safe ground and our veterans breaking out into a cold sweat. This kind of neck tightening noise might be just the ticket to help them get through the night.
Sounds et al is a new local label that just recently slithered out of the primordial ooze that is the current music world, and they’re carrying with them some very exciting sounds from manabu shimuda, a composer and artist fromJapan. His first release for this new imprint is called pieces for her and while there’s no indication of who the “her” in this scenario is, she should be very impressed with what he has created in her honor.
As the notes for the LP say: “The album is a showcase of his creative work whilst living in Europe. Inhabiting a space between classical and experimental, the album has a strict rule within composition – to use only four organic sound sources to structure the simple melody lines and calculated rhythmic patterns: Piano, White Noise, Sine Waves and Field Recorded Noise.”
It’s beautiful, minimalist stuff that, no matter how many times I listen to it, always seems to be changing in some small way. Instinctively, I know that’s not the case, but I’m constantly surprised by the music with each pass I take through it.
So lowkey that you probably missed it, Eugene, OR’s ever impressive home for noise/experimental music Dumpsterscore Recordings has been quietly unleashing droves of small run CD-Rs and cassettes that sell out with the quickness. Luckily, the Internet is here to … Continue reading →
If anyone doubts that the local experimental scene is a friendly one, let a project like this lay your worries to rest. Just a few days ago, the electronic artists Antecessor, EMS, and Grand Arbiter played a collaborative set together at Killingsworth Dynasty as part of a party celebrating the career and life of Thrones. One gent in attendance was the ever-prolific Daniel Menche, who captured their squirrelly and beautiful set on his digital recorder and, with some remixing, turned it into this beautiful hour long melt. Listening to it, I feel like I’m either being slowly swallowed up by a warm blob or, at the very least, gawking at the last half-hour of 2001 after a few sips of psilocybin tea.
One of the coolest events to go down here in Portland of late has been Jeph Nor’s Volt Divers series. Happening on a monthly basis as Lovecraft Bar, the performances highlight the many artists here that utilize hardware synths. A gaggle of them stop by the dark confines of this venue, perform a quick improvised set and get out of the way. The results vary in quality, to be sure, but they often provide real inspiration.
The VD crew has their next event scheduled for January 9th @ 7pm and they welcome in Dweomer, Ras Mix, S.H.E., Joy Through Noise, and this duo of Pailo and Jeph Nor. Let their glitchy and delightful performance from last month’s event serve as your guide.
2016 is off to a mighty fine start, thanks to the appearance of a new album by the Corvallis trio The Van Meyers. I’m fond of the entirety of The Persistence of Now, but have especial love for the title track. It’s just over 21 minutes long, and brings out the influence of William Basinski on these jazz players. The long drones and spacious washes of sound that lap over their sonic jetty go very well with the icy wasteland that is slowly dissipating right outside my window.
Tribal free jazz skronk always sounds so good on a late fall afternoon. That’s the rule in our house anyway. Thankfully Million Brazilians are back with a healthy slab of the aforementioned to send Tuesday off on the right foot. The group is releasing a new LP this ThursdayPoderoso Monicato, from which this space freak jam was excerpted. Can’t wait to let the whole thing wash over me some night soon when my copy arrives in the post.
The latest release by Elias Foley’s ever-evolving Temple Maps project is the soundtrack to a sci-fi movie not yet made. An animated film in the style of René Laloux’s La Planete Sauvage or a pixelated Tron-like adventure where the protagonists are on a massive quest for enlightenment, freedom, or both. A few spins of this brilliantly conceived cassette will help you reach those glorious goals in your mind’s eye, so maybe we don’t need the fancy visuals, just our own vivid imaginations to guide us.
I love the instrument list for this latest release from local artist Mike Gamble: electric guitar/EFX/children’s drum kit. Only three things but he uses them all so very well. Gamble layers some shimmering guitar melodies over odd squelching little noises and the clatter of percussion that sounds like its going to fall apart at any second. And somehow it makes sense that he recorded it while snowed in at a cabin in a town near the Marys River. I’d love to mirror the experience by listening to these challenging and stirring compositions while snowbound in the woods to see what effect that might have on me.