Music: Carlson/Stirling/Theriault & Cloud City Cars

As we look toward the weekend, and hopefully a couple of days of respite before getting back into the working world once more, the universe bestowed upon us two fantastic new releases to ease us into a mood of contemplation and relaxation.

A little while back, I was lucky enough to catch a live performance that featured guitarist Doug Theriault, synth wizard Matt Carlson, and vocalist Michael Stirling improvising together in the sanctuary of a local church. Their combined expressions were devastatingly beautiful and spiritually uplifting. I left the space feeling like I had been stretched out to about six inches taller than when I arrived. The three men have captured this same feeling on a new recording for Root Strata and I have been spending much of the day lost in its warm glow.

What time and mental space I’ve had left over has been taken up by the new album from Cloud City Cars. Ryan McGreer, the hirsute gent behind the project has been through the emotional wringer over the past year or so. But instead of letting it flatten him, he has found new inspiration within those tough moments. And what has come out of him is a blissfully broken collection of songs that refuse to stay on one trajectory. The freeform style of these off-kilter sequences and dying electronics is a carefree, drunken stumble through the streets with flickering LED advertisements and neon colors lighting your every step.

 

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News: Reak – Trance Music & Possession In West Java

One of my favorite musicians alive today is Arrington de Dionyso. He’s one of those figures that embodies the best elements of the creative mind: curiosity, a willingness to learn, a willingness to make mistakes, and a spirit of forward momentum. That’s just one small reason why I’m excited to catch the screening of Reak: Trance Music & Possession In West Java at Fifth Avenue Cinema on Thursday May 5th. The film follows his journey to Indonesia where he played with Group Reak Sanca Birawa. The trailer looks absolutely astounding and I’m very interested to ask him about this experience of making this film and this music during the post-screening Q&A.