Remember me? I’m the one who posted and posted on this site and then took a break because the strain of trying to keep up with this on top of my actual day job and my family concerns got to be too much to handle. My thinking was that I’d be done for good, trying to update the calendar when I had a few extra minutes and shaking my head at all the shows and music I was likely missing.
Well, my itch for the music and people that I’ve met via this blog and the shows that I’ve curated has become far too regular to ignore. So I’m going to to try – try, mind you – to do more work here on the blog and in the scene. I’ve got nothing to lose but that last bit of my sanity and a few hours of my time each week. Bear with me because I know it’s going to be difficult to get my legs under me at the start.
With that out of the way, let’s talk about what’s going on in Eugene where a noise/experimental scene is boiling over to a degree that rivals what we have here at home. And one of the folks that is helping stoke these fires is Andrew Quitter and his “anxiety electronics” project Regosphere.
I’ve likely talked him up on this site before because he’s just that good, but I’ve been especially inspired by his most recent cassette release Insomnia. It has all the markings of its titular condition or a good acid trip with a pair of extended cuts that will make you feel like the walls are undulating around you and shadows are leaking into your peripheral vision. And that’s before his processed, death metal vocals come into the mix. To muddle a phrase from Timothy Leary, tune in, get turned on, and drop off the grid for about a half hour with this as your soundtrack.