For some reason, I’ve missed out on the fact that 11 days from now, the St. Johns No.Fest is going to be happening in my fair neighborhood. In case you’ve missed out on this or are unfamiliar, this all day event brings together music of all stripes, with an emphasis on experimental fare, to the little region of North Portland for live performances. This varies from a big stage in the heart of the main square to a tiny stage next to a pizza parlor to the various bars/coffee shops that line N Lombard. The lineup is a corker, chock full of friends of Experimental Portland: ALTO!, ABSV, Stochastic Mettle Union, Consumer., Party Killer, RLLRBLL, and much much more. I’m going to embed the schedule for the event below, or you can check out the full St. Johns No.Fest site here. I’ll hopefully see you there.
One of the people I connected with early on with this blog was Jason Morales, the amazing musician and sound warrior who once made music under the name Abusive Consumer, but is now known as ABSV. He’s been a huge supporter of the cause of this site and our (hopefully soon-to-be returning) series of shows. One hand washing the other and all…I’m happy to share a new track that Jason has dropped on SoundCloud, a taster of an upcoming cassette release he is doing on SaDoDamascus Records. It’s a lovely little jam, with lots of potentially overwhelming bass and what appears to be the sound of creaking gears coming to life in the background. Or maybe this is what Jason imagines is happening inside of an actual FM radio once he kicks the power on and tunes it to a station playing some deep reggae. Or maybe that’s my imagination running wild once again under the influence of this sweet, sweet music.
I’ve talked up David Owen Tevlin on this site once before, discussing his fine work under the D$ guise. This month saw the release of another album by this unique artist, this time unfurled under the David/Owen banner. Ostensibly created to take up the two sides of a C-20 cassette release, the two tracks out under the name LongYellowForm are flat out beautiful utilizing long expressive drones and what I’m guessing are deeply lost guitar loops. Tevlin lists it under the tag “devotional,” which makes perfect sense as this would provide an ideal soundtrack to transcendental meditation sessions or some other kind of long night of the soul.
Remember me? I’m the one who posted and posted on this site and then took a break because the strain of trying to keep up with this on top of my actual day job and my family concerns got to be too much to handle. My thinking was that I’d be done for good, trying to update the calendar when I had a few extra minutes and shaking my head at all the shows and music I was likely missing.
Well, my itch for the music and people that I’ve met via this blog and the shows that I’ve curated has become far too regular to ignore. So I’m going to to try – try, mind you – to do more work here on the blog and in the scene. I’ve got nothing to lose but that last bit of my sanity and a few hours of my time each week. Bear with me because I know it’s going to be difficult to get my legs under me at the start.
With that out of the way, let’s talk about what’s going on in Eugene where a noise/experimental scene is boiling over to a degree that rivals what we have here at home. And one of the folks that is helping stoke these fires is Andrew Quitter and his “anxiety electronics” project Regosphere.
I’ve likely talked him up on this site before because he’s just that good, but I’ve been especially inspired by his most recent cassette release Insomnia. It has all the markings of its titular condition or a good acid trip with a pair of extended cuts that will make you feel like the walls are undulating around you and shadows are leaking into your peripheral vision. And that’s before his processed, death metal vocals come into the mix. To muddle a phrase from Timothy Leary, tune in, get turned on, and drop off the grid for about a half hour with this as your soundtrack.
I hate to offer up excuses for my failure to keep the calendar updated, but life got right in the way of me taking care of that business. But it is done now. Did I miss anything? Shoot me an email to experimentalportland – at – gmail.com and let me know.