Here’s a nice treat I tracked down just yesterday – a collection of tunes that sound like the broken remnants of a pop song trying to reassemble itself before getting stomped back into pieces. It’s the creation of a gent named Peter Falkson, about whom I know absolutely nothing. And as a longtime fan of Jandek, I’m very much okay with being in the dark on this. Especially when the music is this good.
Speaking with Daniel Schultz about this project the other night got me terribly excited for its future and its impact on the noise scene. An unapologetic and heartfelt exploration of religion in the modern sphere through the lens of noise music. Schultz, who is the voice and spirit behind the label Apneic Void and the experimental project Troubled By Insects, debuted this project at last month’s Eugene Noise Festival and just unleashed its debut cassette for all to hear and purchase. I suggest you do both.
On a day when a famed fashion designer started his own record label and a certain high profile music festival announced that they were opening their arms even wider to Grammy winning artists at the expense of all the no name, little known bands struggling to be heard above the fray, and on a day when video has been released of art/music collective Pussy Riot being attacked by men with whips in Sochi…I was despairing quite a bit about the state of the world and the art that I love so dearly.
What shook me out of my malaise was this new collection of scatterbrained electronic sun flares created by Phil Rawsthorne under the name Lounge Gizzard. Punny name aside, this is the perfect salve to the system. A fucked up reminder that amid the chaos of our slowly devolving planet, there are sparks of brilliance, beauty, and daring that we can cling on to like a lifeboat. Give it a listen here and grab a hold; we’ll ride out this storm together.
Yes, friends, the wonderfully weird and delightful duo from the UK known as Public Service Broadcasting, an outfit that takes samples from old training videos and educational films and creates delirious and groovy pop tunes around them, are going to be here in Portland at the Doug Fir Lounge on Saturday, February 22nd. And Experimental Portland would like to send you and friend to the show.
All you need to do is visit our Facebook page (and please “Like” us, if you haven’t already), find the post regarding this contest, and leave a comment. It’s just that simple. I’ll pick a random winner on Monday by 12pm and announce it there and here so as to stir up waves of jealousy within the rest of you who didn’t win.
Sound good? I hope so. While you’re biding your time to add your comment to the fray, enjoy this video for the PSB song “Spitfire.”
Former Explode Into Colors drummer Lisa Schonberg spent some time last year exploring the dwindling habitat of the Hylaeus bees of Hawaii, insects threatened by pollution and the ever-encroaching modern world. Part of her efforts included using the trip as a musical inspiration for her current project Secret Drum Band. As you’ll hear from these three tracks, out on cassette via Curly Cassettes, some of that inspiration comes from field recordings of other animals and insects, including the coqui frogs. But the majority of it seems to come from some elemental force oozing out of the earth on the Hawaiian islands and from the percussion heavy rumble of music born of the state’s native population.
Golden Retriever has evolving in leaps and bounds over the past five years, something that is apparent with each successive recording and live set that they do. Jonathan Sielaff and Matt Carlson are the perfect sonic architects, pushing the boundaries of what in other hands would be a very hemmed-in approach to their somewhat unusual choice of instrumentation. Don’t just take my word for it, though. Enjoy this extended clip of the group playing two tracks from their new album Seer live at Mississippi Studios and listen to how their melodic expressions are becoming more exacting and more free all at once.
The good people of Sonic Debris Multimedia reached out to me a while ago about curating a stage at this massive event they are putting on to celebrate the release of another surely amazing compilation album for winter 2014. With an offer like that, how could I refuse?
So, tonight starting at 6pm at Watershed PDX, we will be hosting two stages of amazing freeform sounds and expressions. The complete lineup is below, click here for the Facebook event page for all the details about how to get to the venue, and most importantly THE SHOW IS FREE OF CHARGE. Hope to see as many of you in attendance as possible.
Experimental Portland Stage:
1:20am-1:50am – Transparent Aluminum
11:50pm-12:20am – Portland Bike Ensemble
10:10pm-10:40pm – Troubled by Insects
9:10pm-9:40pm – Asphalt Ocean
7:00pm-7:30pm – Neglect
2:20am-2:50am – Play Human
1:50am-2:20am – Destroyed for Comfort
12:30am-1:20am – Consumer/Muzzy
10:50pm-11:40pm – Stochastic Mettle Union Local #35
9:10pm-9:40pm – Noise Agency
8:30pm-9:00pm – The Translucent Spiders
7:30pm-8:00pm – Cult of Zir
6:30pm-7:00pm – Alien Parkinson Project
6:00pm-6:30pm – Sister Mamie Foreskin
Sometimes the simplest of music is the most powerful. Take this long drone piece, played on viola by Justin Smith aka Information. There’s not much to it, just a slow layering of notes, but it creates this mass effect that is reminiscent of Jonny Greenwood’s work on There Will Be Blood or some of the more terrifying Ligeti choices that ended up in 2001.
Amazing music for an important cause. Marcus Fischer and Ted Laderas (aka The OO-Ray), two experimental musicians of Filipino descent, are releasing Tulong, a two-track digital single to help aid Humanitarian Response Philippines, a non-profit helping residents of the island nation rebuild their homes after the destruction wrought by Super Typhoon Haiyan.
It’s a mere $5—though they and I encourage you to drop a little extra cash in the donation jar—for two gorgeous tracks, one recorded live in 2012 at Beacon Sound Records and another recorded late last year at Fischer’s home studio.
Whilst checking out my man Ben Kates’ favorite albums of 2013, I followed the thread of links over to the March Music Moderne website last night. And lo and behold, there was the schedule for the 2014 edition of this fine modern music and art event, happening from March 6 – 16th all over our fair city.
Click here to check out the complete lineup but do let me point you to some especially exciting events:
– On March 7th at Cinema 21, there will be a screening of A Clockwork Orange, one of Stanley Kubrick’s most masterful works and featuring the still stirring synthesized soundtrack courtesy of Walter/Wendy Carlos.
– A celebration of Lou Reed’s all noise album Metal Machine Music on March 8th at Three Friends Coffeehouse that “will be revved up by PDX writer Amanda Sledz & danced by 3 Seattle Butoh artists: Joan Laage, Sheri Brown & Alan Sutherland.”
– A lecture on March 14th at Lewis & Clark College focusing on the work of Iannis Xenakis.
– The Demoltion Duo will play at Performance Works NW on March 15th “in improvised duos & large ensemble works with special guests; Juniana Lanning (electronics), Dan Duval (guitar), Alyssa Reed-Stuewe, Joe Cunningham (tenor sax) & John Sielaff (bass clarinet)”